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Ragamuffin Gospel

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Audible Audiobook

Listening Length: 6 hours and 42 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: christianaudio.com

Audible.com Release Date: February 12, 2009

Language: English

ASIN: B001T45I7G

Amazon Best Sellers Rank:

Absolutely inspiring. This is the type of book that combats the misunderstanding that churches are full of self-righteous perfect people. It shatters the model that so many Christians and Non-Christians hold in their mind as to what a Christian looks like. Guess what? It looks just like YOU, with all of your beautiful strengths and challenging flaws and benevolent acts and selfish, malevolent acts, love and weakness, dark secretive sin and bright transparent bits alike. It's a powerful reminder that Christ does not call us to "clean up our act first, then come to the Throne." Indeed, we cannot do that on our own or with merely the help of other people. I am a recovering alcoholic who struggled with the shame of falling under the pressure of my disease and my poor choices that fostered the disease (instead of fighting it). "I knew better and it still happened to me," was my thought process. This book reminded me of Christ's REAL unadulterated message and helped to fully restore me to right-relationship with my Father in Heaven to beat this thing, to maintain the strength to continue doing so, and to see my situation as it Truly is: There is no darkness in which He cannot find me and restore me. He doesn't care how nicely I dress on Sundays. He wants all of me, right now, this moment and every moment following. This was a book recommended to me from a pastor and addiction counselor. I bought 7 copies and gave them to family and friends who, both, struggle with addiction or not. Anyone who wants to know more about what Christ said on the church being only an institution of control, full of rule-following goody-goods, where people learn to build and wear masks of false joy to hide their inner bankruptcy ... here it is!

This is the second book by the late Brennan Manning that I have read, Signature of Jesus being the first. This is, without doubt, the one generally regarded as his magnum opus and it certainly doesn't disappoint. Written in a style that is easily and readily digested by those of us in the ragamuffin nation, he consistently makes his points in a lucid and, to use Os Guinness' phrase, heart cracking manner, tugging on our emotions with real situations as well as challenging us with clear, orthodox doctrine that is neither boring nor preachy. His raw honesty and deep humility are incredibly refreshing in a coarse time when even much of Christian teaching is filled with either graceless tomes or else increasingly abandon the essentials to curry favor with cultured despisers of the Gospel. Thankfully Brennan left us a legacy that fits well with those of Philip Yancey, Steve Brown and a number of others who are convinced (as I am) that the only thing we can truly do to honor Christ is to believe, trust and obey His Gospel with our utmost devotion. I heartily recommend this timeless book.

This book has been one of the single biggest influences in my life. My mom encouraged me to read it years and years ago, but I didn't. It has been on my family's book case for most of my life. Then a good friend of mine recommended it as well and I finally read it in 2015. It rocked my world. About ten years ago, God opened my eyes to this radical concept of grace, "Christ plus nothing else", from the teachings of Rankin Wilbourne at First Presbyterian in Chattanooga, TN. But it's funny how we all fall back into the trap of believing that somehow, some way, we are responsible for proving to God that he should love us, that we can somehow earn our salvation. I think it's just human nature for this works-based theology to creep back into our "wiring". This book should be read over and over again. It will change your life. It changed mine. Furthermore, this is the message that the world needs to hear. Please buy this book and give it to people who need to hear the life-altering news of the gospel.

One of my favorite books of all time. I think many Christians may even be uncomfortable with the message of grace found in this book. I mean, what do you think you can learn from a defrocked Jesuit priest who smokes, is alcoholic, and divorced? Not a likely person to write a religious book ... but oh what a treasure you'll miss if you judge it that way. Manning is gone now but his message of the beauty of grace lives on through this treasure.

Well, all the recommendations I received for this over the years were correct with a bullet. What a magnificent book. Some books teach. Some books inspire. Some books reveal. This did all that, but what it really did was help me love Jesus more and know the love of Jesus more. I loved Manning's bluntness and ability to incisively get to the heart of grace and God's love.

I read The Ragamuffin Gospel during a time of burnout and fatigue; it was food for my soul. Basking in the knowledge of God's unfathomable love enabled even my body to relax.And yet, there are a few troublesome details. I've been a member of mainline churches and Charismatic/Pentecostal churches. Manning identifies the problems of churches as a whole--but picks on the Charismatic/Pentecostal side when identifying specific issues (gifts, visions, ecstasy, etc.). A serious study of gifts from the Holy Spirit reveals they cannot be used as sources of pride but as tools to humbly share God's love--because they also stem from grace. But we're all people, and we'll use whatever is available in attempts to elevate self. The theological bent isn't the issue.Another issue was Manning's emphasis on grace as in grace to offer forgiveness for sin--the starting point, for sure. But how about grace to overcome? He does touch on this in Chapter 10 titled "The Victorious Limp" when he deals with Peter's denial of Jesus. Yes, Peter received forgiveness--but that reality became the springboard for the overcoming power to become a powerful tool. This type of grace is also available for all Christians. Perhaps he should think about another book on that topic?Nevertheless, I appreciated The Ragamuffin Gospel enormously. There is power in repeatedly emphasizing the message of God's unconditional love. We can never hear too much about grace

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Ebook Download Half of a Yellow Sun

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Half of a Yellow Sun

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Listening Length: 18 hours and 10 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Random House Audio

Audible.com Release Date: September 19, 2017

Language: English, English

ASIN: B07577JGST

Amazon Best Sellers Rank:

I came into Chimamanda Ngozi Adichie’s Half of a Yellow Sun not knowing much about the Biafran conflict. I came out feeling as if I’d just lived through the experience. “Moving” is the most appropriate term for this novel. Adichie doesn’t just write about the failure of a new state trying to gain independence from Nigeria. She doesn’t just write about a couple of love stories during war, or family relationships that took place during war. What she does so masterfully and deliciously is capture the dreams and hopes and vision of Biafra, paint it so clearly that the reader can taste it, and then take it all away slowly, deliberately, painfully… mimicking what those who lived through the conflict probably felt. Her ability to capture the dramatic life-altering experiences of Biafra is astonishing. When I put down the book, I felt as if I’d just experienced the conflict through my own eyes. Essentially, the book is about chronicling the tone and feel of the Biafran conflict. She leaves the reader wanting Biafra, needing Biafra, and feeling remorse for the consequences of its failure (not a spoiler – her plot is carved into history). Nigeria in the 1960s was a society entangled in ethnic troubles and then civil war. The genocide inflicted on the Igbo people is horrible and tragic. Through the war they suffered and starved, eventually bringing Biafra to its knees. This part of her story is one of the most powerful, and where Adichie really flexes her literary muscles. How she is able to have starvation permeate her imagined world, effecting each character and the world around them, is fantastic. How Adichie was able to capture the pain and torment in such a realistic way is beyond me. Her depth of research also becomes apparent here, regularly – but not obnoxiously – dropping in facts and names of organizations and people who were there during the conflict. Adichie’s argument and motive for writing such a work was to chronicle with as much accuracy as possible the tone and feel of that conflict. She leaves the reader wanting Biafra, needing Biafra, and feeling remorse for the consequences of its failure (not a spoiler – her plot is carved into history). I can guarantee you will put down this book and go straight to your computer to research this event. The length of the work is one of the few complaints I have. In Adichie’s obsessive need to create the world of Biafra as realistically for the reader as possible, her details can slow the pacing. This is an emotional novel, and she builds the emotions over time. Also, don’t be expecting to laugh – you barely will. Yet, if you are looking for a work that will move you and your worldview, this is the one. I highly recommend.

Half of a Yellow Sun is historical fiction and a fine-written novel. It concerns the history of Nigeria and the war. The characters are very well developed and very interesting. Adichie is a fabulous writer. The story is never boring and there were some interesting character viewpoints. One point of interest was discovering the anti-Semitism that existed within Nigeria or the outright ignorance of some of Nigeria's citizens. A long Muslim vs Christian war or battle has had a terrible effect on Nigeria. The use of oppressive tactics akin to Hitler's 3rd Reich was used within Nigeria to squelch the Christian intellectual party and its citizens by a brutal regime of ignorant religious extremists who oppress girls and women, and hinder educational systems. This is absolutely a fabulously written account with historical facts that is written with fictionally orientated characters to add dynamic realism and dimensions. Adichi herself, is highly intelligent, brilliant, and a prize writer from Nigeria. The book has over 500 pages, so expect to spend some time digesting the contents and comprehending some of Nigeria's immense history. Adichi is one of your better writers on the market.

HALF OF A YELLOW SUN is a very important and very readable postcolonial novel. Centering on the Nigeria-Biafra War of 1967-70, it has a lot to teach both about postcolonial Nigeria and about the art and import of storytelling.Language is a central concern in this book, including the occasional tongue-in-cheek play on words, such as Richard being (emotionally) "stirred" by a ropework pot. I got the sense that the author was almost deliberately deceptive in the simplicity of her language, covering a much greater facility and more playful attitude to language than is at first apparent. The language used is unsophisticated, which makes the occasional moments of searing insight or incisive statements so much more striking. For example: "He [Richard] laughed. The sound spilt out of him, uncontrolled, and he looked down at the clear, blue pool and thought, blithely, that perhaps that shade of blue was also the colour of hope."The tone and cadence of each chapter matches that of the point-of-view character, despite being written in the third person. There is something characteristically African about Olanna's and Ugwu's chapters, something more straightforward but no less deeply felt, whereas Richard's chapters have a more introverted, tentative, sometimes even wishy-washy feel to them. While the language of the narrative does change in accordance with the age and nature of the current point-of-view character, overall it is endearingly artless - simple but not simplistic, with subtle shades of color to it. Adichie often displays a keenly observational, witty turn of phrase, especially in her descriptions of people. I found this sentence both humorous and evocative: "She began to look more and more like a fruit bat, with her pinched face and cloudy complexion and print dresses that billowed around her body like wings."In general, this book follows the "show, don't tell" method, so that it is unburdened with large chunks of information but is, rather, an intriguing puzzle to be deciphered bit by bit as you read. Each chapter introduces a new character who is within the orbit of the focal character of the previous chapter. In this way, the characters are enabled to comment on and give contrasting perspectives of each other, so that the reader does not have to dogmatically accept a given view of each character but can draw their own conclusions instead. Is Odenigbo a passionate revolutionary or a deluded idealist? Is Olanna sweet and smart or hopelessly naive? Is Kainene a cold fish or a woman of mysterious depths? You decide.There is a definite feeling that the characters in this book are there as conduits through which a larger lesson about Nigerian history is delivered. The characters cover almost every possible viewpoint - there is Odenigbo the "revolutionary lecturer"; Olanna, his sweet, beautiful lover from a privileged family; Ugwu, their houseboy from a very poor family; Kainene, Olanna's cynical businesswoman sister; and Richard, Kainene's white English ex-pat lover, the earnest outsider. The older person's perspective is provided by a host of minor characters. Olanna, Ugwu, and Richard are the three point-of-view characters, which offers the most diverse range of viewpoints. Thus, I very much felt that the characters of HALF OF A YELLOW SUN were vehicles for the plot rather than necessarily being themselves the focus of the story. This is one example of how Olanna's life is inextricable from the war she is trying to survive: "It was the very sense of being inconsequential that pushed her from extreme fear to extreme fury. She had to matter. She would no longer exist limply, waiting to die. Until Biafra won, the vandals would no longer dictate the terms of her life." This is another: "... she felt as if she were about to turn a corner and be flattened by tragedy."If the characters are vehicles for lessons in Nigerian history and politics, they are first-class vehicles. They make these lessons heartfelt and very personal. I will have a hard time forgetting "the second coup," especially thanks to Olanna's experience with it. However, paradoxically, I also often felt a certain detachment from the characters in this book, although this was more pronounced with some than with others. Ugwu was the easiest to feel affection for, and, to an extent, Olanna; but Odenigbo remained quite inscrutable throughout for me, followed closely by Kainene. I found it to be a real shame that these so potentially complex characters were not developed much more fully. It was odd to feel a sense of detachment from the characters yet at the same time recognize how often the narrative provided exceptionally astute insights into human nature. For example, at one point when Olanna is considering Odenigbo: "Then she wished, more rationally, that she could love him without needing him. Need gave him power without his trying; need was the choicelessness she often felt around him."Perhaps overshadowed by the meta-narrative about Biafra and by the romantic tales woven through it is the fact that this is also very much a story about sisters - how much they share, how much they are willing to forgive, how strong their bond is: "'There are some things that are so unforgivable that they make other things easily forgivable,' Kainene said."Something I was not expecting was for this book to be funny, but the wry observations of Ugwu's childish perspective provide plenty of levity. For example: "'He's one of these village houseboys,' one of the men said dismissively, and Ugwu looked at the man's face and murmured a curse about acute diarrhoea following him and all of his offspring for life."For the white, Western reader, HALF OF A YELLOW SUN is a gentle but persistent reminder that theirs is not the only valid point of view, that there is a whole other world out there full of very different but equally important cultures and perspectives. This is gently introduced by Ugwu's careful and often awestruck exploration of his new home, which is extremely vivid, providing a sense of newfound wonder at the "mod cons" we take for granted every day. One of the more humbling realizations for the Western reader of HALF OF A YELLOW SUN is just how much African cultures have to teach about family, community, generosity, and hospitality. This book is also enough to make those of us who only speak one language ashamed of our arrogance! HALF OF A YELLOW SUN is rich with non-English phrases and allusions to the many languages of Africa. Again, Ugwu provides a most evocative example: "Master's Igbo felt feathery in Ugwu's ears. It was Igbo coloured by the sliding sounds of English, the Igbo of one who spoke English often."There is a lot of information about Nigerian history and politics in this book, but it is quite easily digestible because it is presented in such diverse ways - from informal academic debates to conversations between lovers to the outline of a book. Discussing such issues with friends and colleagues in his home, Odenigbo says: "'... the only authentic identity for the African is the tribe ... I am Nigerian because a white man created Nigeria and gave me that identity. I am black because the white man constructed black to be as different as possible from his white. But I was Igbo before the white man came.'" In the most basic terms, the politics of the book center on tensions between three groups: the Igbo, the Muslims, and the "marauding Europeans."After all of the horror stories we in the West have heard about Biafra, it is refreshing to be reminded by HALF OF A YELLOW SUN (whose title refers to the central symbol on the Biafran flag) that the country's secession from Nigeria began as an act of great hope. At one point, Olanna explains the significance of their new flag to a class of children: "... she unfurled Odenigbo's cloth flag and told them what the symbols meant. Red was the blood of the siblings massacred in the North, black was for mourning them, green was for the prosperity Biafra would have, and, finally, the half of a yellow sun stood for the glorious future."The dramas of the characters' personal lives are punctuated throughout by historical and political triumphs and disasters. Seeing the profound effects of these events on the characters in the book just highlights the fact that real Nigerians' or Biafrans' lives would have followed a similar course, with little distinction between the public and the private. The following remark is a chilling affirmation of how many lives were affected by the war: "'The foreigners said that one million died,' Madu said. 'That can't be ... It can't be just one million.'"In this stridently postcolonial book, Adichie uses the character of Richard to assert quite vigorously that only African people have the right and the ability to tell African stories well. I was slightly affronted by this. I do agree and appreciate that African people will most often be the best at telling the stories of their people - at one point, Kainene says to Richard in this context: "'And it's wrong of you to think that love leaves room for nothing else. It's possible to love something and still condescend to it'" - but I dispute the inference that this is ALWAYS the case, without exception. (I would cite Barbara Kingsolver's THE POISONWOOD BIBLE as one such exception.) At the beginning of the feminist movement, the best women's literature was written by women - but there were exceptions, and they were important. There were some male authors who possessed the necessary respect, understanding, and skills to tell women's stories, and this is much more common today (an excellent recent example being Michel Faber's THE CRIMSON PETAL AND THE WHITE). Perhaps Adichie considers post-colonial literature to be more raw and relevant today than feminist literature? That is just a question that occurs to me, I don't mean to put words into her mouth. However, I do wonder if her attitude to African literature is a little too divisive and exclusionary. Still, there is no denying the outsider's question: "How much did one know of the true feelings of those who did not have a voice?"HALF OF A YELLOW SUN gives a lilting but powerful voice to those who experienced the creation and collapse of Biafra, as well as to all the color, vigor, passion, gentleness, idealism, and community of Nigerians and Biafrans in the latter twentieth century. I would gladly recommend this book to anyone who wants an engaging story to teach them about a different time and a different culture.

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Print Length: 75 pages

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Publication Date: January 27, 2016

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01B6415O8

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