Download PDF Space, Site, Intervention: Situating Installation Art

Download PDF Space, Site, Intervention: Situating Installation Art

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Space, Site, Intervention: Situating Installation Art

Space, Site, Intervention: Situating Installation Art


Space, Site, Intervention: Situating Installation Art


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Space, Site, Intervention: Situating Installation Art

Review

This wonderful book is a treat to read. It is so sensitive to the reader and to so many cultural and political issues." -- Bomb Magazine, Spring 2000

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Product details

Paperback: 352 pages

Publisher: Univ Of Minnesota Press (February 11, 2000)

Language: English

ISBN-10: 9780816631599

ISBN-13: 978-0816631599

ASIN: 081663159X

Product Dimensions:

7 x 0.8 x 10 inches

Shipping Weight: 1.5 pounds (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#901,597 in Books (See Top 100 in Books)

I have been an artist all my life, and always worked at the scale of smaller, portable art: drawing, a painting, a small sculpture. However, I was always intrigued with the installation art I have seen at museums, even if I did not always understand it...it "felt" intriguing...-wow.. art you could actually walk into and interact with- and wanted to know more...ultimately I wanted to try my hand at it someday. So I bought a couple different books on site-specific and installation art to learn more on how they were done, how artists conceptualized them and came up with their ideas...this was one of those books. So this is really just a step in my self-education as a newbie to such things.This book is a collection of essays from artists, educators, critics, curators, professors, and other art specialists. The book is pretty much an insider's book writing for other insiders. The tone is quite postmodern, academic and theoretical. Since this book doesn't have the Look-Inside feature, here's a list of the essays:=Introduction: On Installation and Site Specificity (Erika Suderburg)1. The Functional Site; or, The Transformation of Site Specificity (James Meyer)2. One Place After Another: Notes on Site Specificity (Miwon Kwon)3. "Illiterate Monuments": The Ruin as Dialect or Broken Classic (Barbara Maria Stafford)4. Fountains and Grottos: Installation and the Neobaroque (Sean Cubitt)5. Garden Agon (Susan Stewart)6. Written on the West: How the Land Gained Site (Erika Suderburg)7. Hidden Economies in Los Angeles: An Emerging Latino Metropolis (Alessandra Moctezuma and Leda Ramos)8. Landscape(s) of the Mind: Psychic Space and Narrative Specificity (Notes from a Work in Progress) (John Coleman)9. Ordinary Gestures of Resistance (Ernest Larsen)10. Internal Exiles: The Interventionist Public and Performance Art of Asco (C. Ondine Chavoya)11. Scream IV (Laurence A. Rickels)12. Displacements, Furnishings, Houses, and Museums: Six Motifs and Three terms of Connoisseurship (Kevin McMahon)13. Public Art and the Spectacle of Money: An Assisted Commentary on Art Rebate/Arte Reembolso (John C. Welchman)14. Video and Film Space (Chrissie Iles)15. The Machine in the Museum; or, The Seventh Art in Search of Authorization (Bruce Jenkins)16. "No Guarantees, They're Wolves": Structure, Movement, and the Dystopic in Diana Thater's _China_ (Colin Gardner)17. The Space of Electronic Time: The Memory Machines of Jim Campbell (Marita Sturken)18. The Anthropologist's Shadow: The Closet, the Warehouse, the Lesbian as Artifact (Catherine Lord)19. Imaging Community: Video in the Installation Work of Pepon Osorio (Tiffany Ana Lopez)20. The 1970s "Situation" and Recent Installation: Joseph Santarromana's Intersubjective Engagements (Amelia Jones)For the person new to such subjects, I found Suderburg's "Introduction" (1) to be an excellent contextual piece for the history and theory of this genre; without it, I would not have gotten as much out of this book. As a newbie, I also particularly enjoyed reading about Osorio's work (19), the piece on "Illiterate Monuments" (3), and the essays on video (14) and machine in the museum (15).If you are an artist or other insider, into the theoretical and aesthetic, if you are an art student in college or an art professional, if you are a patron who likes MOMA and SITE Santa Fe, you can get a lot out of this book. I am still making some connections for myself after reading this book. It deserves a review by someone who works with such art; but as an interested reader, I can say there is meat here for both the novice and the specialist.

Publisher Comments:From Ferdinand Chevel's Palais Ideal (1879-1905) and Simon Rodia's Watts Towers (1921-1954) to Ant Farm's Cadillac Ranch (1974) and Richard Serra's Tilted Arc (1981), installation art has continually crossed boundaries, encompassing sculpture, architecture, performance, and visual art. Although unique in its power to transform both the site in which a work is constructed and the viewer's experience of being in a place, installation art has not received the critical attention accorded other art forms.In Space, Site, Intervention, some of today's most prominent art critics, curators, and artists view installation art as a diverse, multifaceted, and international art form that challenges institutional assumptions and narrow conceptual frameworks. The contributors discuss installation in relation to the genealogy of modern art, community and corporate space, multimedia cyberspace, public and private ritual, the gallery and the museum, public and private patronage, and political action. This ambitious volume focuses on issues of class, sexuality, cultural identity rase, and gender, and highlights a wide range of artists whose work is often marginalized by mainstream art history and criticism. Together, the essays in Space, Site, Intervention investigate how installation resonates within modern culture and society, as well as its ongoing influence on contemporary visual culture.Lucy R. Lippard (author of The Lure of the Local and On The Beaten Track):This book is a varied and fascinating labyrinth of sophisticated writing that opens up the notions of site and space to a grand panoply of new ideas. It should be required reading for anyone making or confronting installation art in the 21st century.

A Must Read, I bought 2!

I have just opened the FOURTH copy of this book and still Amazon has not gotten it right. They are shipping this heavy paperback book in a paper padded envelope and they are getting destroyed. I told customer service each time that they needed to send it in a box, but no such luck. Not only has this wasted time and money - mine and Amazon's - I STILL don't have a usable copy of the book, and it is not very green of amazon to waste so much paper. Why? To save a few cents on shipping? Come on Amazon.com - you can do better than this.

Prior to the book's publication one could not find any significant texts about this, the most dominant approach to making art, post 1975. Realizing the gap in the field, Suderberg invited a number of distinguished art writers to parse this new medium and produced its first critical compendium of note and usefulness.For artists and faculty exploring work outside of painting and sculpture, SPACE, SITE, INTERVENTION: SITUATING INSTALLATION ART, is required reading. It raises the most pertinent issues that one must address to produce meaningful, important site pieces.

This book is filled with writers who are first and foremost trying to prove their own intelligence rather than discuss the topic at hand; installation artists. At times the writing is completely incomprehensible. Filled with big words and tricky grammar, this collection of essays says a whole-lotta nuthin. Don't buy this one unless you're forced to.

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Ebook Free El Progreso del Peregrino, by John Bunyan

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El Progreso del Peregrino, by John Bunyan


El Progreso del Peregrino, by John Bunyan


Ebook Free El Progreso del Peregrino, by John Bunyan

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El Progreso del Peregrino, by John Bunyan

About the Author

John Bunyan (1628-1688) nació en Elstow, Inglaterra, y su vida fue salvada en dos ocasiones en sus primeros años, algo que él creía que Dios había hecho con un propósito especial. En noviembre 1660, cuando Bunyan llegó para predicar a la pequeña ciudad de Lower Samsell, le informaron de que se habían emitido una orden para detenerle. Al no estar dispuesto a condenar su vida cristiana y su llamado al ministerio, fue encarcelado durante doce años. Entre los muchos escritos que publicó durante su encarcelamiento están The Holy City, Grace Abounding to the Chief of Sinners, y el más famoso, The Pilgrim's Progress (El progreso del peregrino). John Bunyan (1628-1688) was born in Elstow, England, and his life was spared twice in his early years, something he believed God had done for a special purpose. In November 1660, when Bunyan arrived to preach in the little town of Lower Samsell, he was informed that a warrant had been issued for his arrest. Unwilling to denounce his Christian faith and his calling to the ministry, he was imprisoned for twelve years. Among the many writings he published during his imprisonment are The Holy City, Grace Abounding to the Chief of Sinners, and the most famous, The Pilgrim's Progress.

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Product details

Paperback: 444 pages

Publisher: Whitaker House Espanol; Spanish Language Edition, Pilgrim's Progress (Spanish) ed. edition (April 19, 2013)

Language: English

ISBN-10: 1603747117

ISBN-13: 978-1603747110

Product Dimensions:

4 x 1.2 x 6 inches

Shipping Weight: 7.2 ounces (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

72 customer reviews

Amazon Best Sellers Rank:

#92,931 in Books (See Top 100 in Books)

Lo leí en la versión digital para Kindle.Me pareció fantástico como el autor nos hace ver como es el caminar del cristiano, sus luchas, sus victorias; En una forma fácil de entender y lo describe a manera de cuento o mas bien una novela.Este se ha convertido en uno de mis favoritos y lo he leído dos veces.Lo recomiendo!

Una verdadera joya literaria que explica el plan salvífico de Dios a tráves de potentes y a la vez gráficas alegorías.

Este es uno de los libros mas importantes de la literatura cristiana. Una obra que simboliza lo que es la vida del cristiano, todas las dificultades que se encuentran en el camino y como Dios nos va guiando y poniendo a la gente adecuada en el camino.

Un libro que todo cristiano deberia leer, pues esta lleno de alegorias y enseñanzas. Creo que al leerlo se comprenden las vivencias de todo cristiano y los obstaculos que debe superar.

Al final aclaran que es una versión condensada, aunque personalmente igual lo recomiendo tocará conseguir la versión completa en un futuro.

Muy resumido, pero con la esencia del original. El camino a la salvación lleno de desafíos, pero por la gracia divina el cristiano lo sigue hasta la patria Celestial. Gracias por publicarlo.

This was for my daughters spanish class and it was great

This book is a true inspiration for all Christians, I would recommend it to any new or seasoned believer to read. It's a depiction of our Christian life from start to end, the journey, the ups and downs... Everything is in this book.The story is easy to ready and follow, but it correlates to everything written in the bible.

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Free Download What Do Women Want?: Adventures in the Science of Female Desire

Free Download What Do Women Want?: Adventures in the Science of Female Desire

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What Do Women Want?: Adventures in the Science of Female Desire

What Do Women Want?: Adventures in the Science of Female Desire


What Do Women Want?: Adventures in the Science of Female Desire


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What Do Women Want?: Adventures in the Science of Female Desire

Product details

#detail-bullets .content {

margin: 0.5em 0px 0em 25px !important;

}

Audible Audiobook

Listening Length: 6 hours and 45 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: HarperAudio

Audible.com Release Date: June 18, 2013

Whispersync for Voice: Ready

Language: English, English

ASIN: B00DGUYYUI

Amazon Best Sellers Rank:

What caught my eye with this title was a flashback of viewing the romantic comedy, "What Women Want" with Mel Gibson and Helen Hunt. A story about after one man having an accident, is able to dive into the female psyche, realizing he had women figured out all wrong. A far cry from this book, of course, but the title does indeed make the reader extremely curious. Daniel Bergne chronicles an informative and concise presentation on female sexuality as he defines the differences between the old myths, and scientific findings. He raises questions that have sparked debates for years such as, are women more aggressive than men? What triggers female sexuality, what do fantasies indicate, and discusses mind-body connection. In addition, the author presents information on the reasons for loss of libido, and how lives can change due to its consequences. Information is also presented on intimacy, multiple partners, and emotional connection. The chapters include the following topics:Animals;Bodies And Minds; The Sexual Fable Of Revolutionary Science; Monkeys And Rats; Narcissism; The Alley; Monogamy; and much more. A point of interest is highlighted in Chapter 10, The Beginning. Daniel Bergne offers important questions and answers on the future of female sexuality, through scientific research, such as will there really be a Viagra for women? If so, will it work the same way it does for men? The author shares a fascinating journey of research through experiments on sexuality today as he confronts the reader with interesting findings. This illuminating presentation is thought-provoking as the material presented will make the reader curious and think about the research, long after this book is closed. It will also be a primary resourceful topic for group discussions. Brilliant, educational, and highly recommended!--Geraldine Ahearn(Author Geri Ahearn)

Think what he's got to say is important, but...after reading the book am left with the impression that it could be condensed down to a short newspaper article, or perhaps a few paragraphs...The gist of it as I gather:1. our collective social story that women's sexual/arousal wiring is very different, if not opposite to that of men (i.e. their sexuality is emotional/security/relationship based, not promiscuous, not visual, etc.) is belied by the research (of involuntary chemical and anatomical reaction to stimuli...);2. and, that women's sexual arousal is in large measure driven by observation of men's uncontrolled arousal with themselves as object -- what turns them on more than anything is observing how a man finds them so attractive that he loses control of himself (no news here...)3. and, that the social programming is so strong that many woman are not consciously aware (i.e. have repressed...) of the underlying basis of their own emotional and sexual arousal.Read the cliff notes...

Having spent more than forty years in the study and treatment of male and female sexual expression or lack thereof,I found this book to a thorough representation of what is happening in the fields of research of the last twenty years.The writing is indeed a labor of love and well worth reading by any person fascinated by the question of understanding female sexual desire,I am reminded of the words of a female colleague and coworker who said that male sexuality could be explained in words written on the back of a postage stamp but for women one would need all the pages of the Encyclopedia Brittanica. This book that can serve as reference book for those in the field of teaching and treating sexual relationships,

The book contains some interesting information, but quite some writing seems to have the purpose to fill the pages. Lengthy description what apparel, hair, beard, etc. the researcher has, isn't relevant stuff. I would have considered interviews with women a more interesting subject.

Lots of questions but few answers. This is not the Authors fault of course, the subject matter is not well funded and attracts few takers. The book is well written and I believe that most lay people will find it easy enough to follow. I know that I learned a lot and would love to learn more.

As a single man, the insight into the sexuality of women in this book is a little startling. But, better to know the truth than live in an imaginary world. The scientific evidence to back up what is being put forth is convincing. A great read... riveting...

Excelent analysis of women, and general, human sexuality.With references and differents areas of scope, from psyche to biochemicals and testimonials.

This is a balanced and current view of research on female sexuality. Readable and well written, it makes the case for understanding female sexuality as biologically as well as socially driven It almost but not quite reaches the psychoanalytic insight that sxuality is fueled by aggression as well as tenderness for women as well as for men. More attention to modern psychoanalytic theory rather than just rellying on antique Freud would have strengthened the book.

Very good, science based and well written. I already expected that kind of conclusions, so I was not shocked, but I was delighted by the serious, documented argumentation of thr author.

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Ebook Download Freedom's Forge: How American Business Produced Victory in World War II, by Arthur Herman

Ebook Download Freedom's Forge: How American Business Produced Victory in World War II, by Arthur Herman

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Freedom's Forge: How American Business Produced Victory in World War II, by Arthur Herman

Freedom's Forge: How American Business Produced Victory in World War II, by Arthur Herman


Freedom's Forge: How American Business Produced Victory in World War II, by Arthur Herman


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Freedom's Forge: How American Business Produced Victory in World War II, by Arthur Herman

Review

“A rambunctious book that is itself alive with the animal spirits of the marketplace.”—The Wall Street Journal   “A rarely told industrial saga, rich with particulars of the growing pains and eventual triumphs of American industry . . . Arthur Herman has set out to right an injustice: the loss, down history’s memory hole, of the epic achievements of American business in helping the United States and its allies win World War II.”—The New York Times Book Review   “Magnificent . . . It’s not often that a historian comes up with a fresh approach to an absolutely critical element of the Allied victory in World War II, but Pulitzer finalist Herman . . . has done just that.”—Kirkus Reviews (starred review)   “A compulsively readable tribute to ‘the miracle of mass production.’ ”—Publishers Weekly   “The production statistics cited by Mr. Herman . . . astound.”—The Economist   “[A] fantastic book.”—Forbes“Freedom’s Forge is the story of how the ingenuity and energy of the American private sector was turned loose to equip the finest military force on the face of the earth. In an era of gathering threats and shrinking defense budgets, it is a timely lesson told by one of the great historians of our time.”—Donald Rumsfeld   “World War II could not have been won without the vital support and innovation of American industry. Arthur Herman’s engrossing and superbly researched account of how this came about, and the two men primarily responsible for orchestrating it, is one of the last great, untold stories of the war.”—Carlo D’Este, author of Patton: A Genius for War   “It takes a writer of Arthur Herman’s caliber to make a story essentially based on industrial production exciting, but this book is a truly thrilling story of the contribution made by American business to the destruction of Fascism. With America producing two-thirds of the Allies’ weapons in World War II, the contribution of those who played a vital part in winning the war, yet who never once donned a uniform, has been downplayed or ignored for long enough. Here is their story, with new heroes to admire—such as William Knudsen and Henry Kaiser—who personified the can-do spirit of those stirring times.”—Andrew Roberts, author of The Storm of War

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About the Author

Arthur Herman, visiting scholar at the American Enterprise Institute, is the author of How the Scots Invented the Modern World, which has sold more than half a million copies worldwide. His most recent work, Gandhi & Churchill, was the 2009 finalist for the Pulitzer Prize in General Nonfiction.

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Product details

Paperback: 432 pages

Publisher: Random House Trade Paperbacks; Reprint edition (July 2, 2013)

Language: English

ISBN-10: 9780812982046

ISBN-13: 978-0812982046

ASIN: 0812982045

Product Dimensions:

5.2 x 1 x 8 inches

Shipping Weight: 10.6 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

524 customer reviews

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#26,157 in Books (See Top 100 in Books)

Just before D-Day in 1944, General George S. Patton made a famous speech (also used in the movie Patton with George C. Scott) to the US 3rd Army in which he said, "We have the best food, the finest equipment, the best spirit, and the best men in the world. Why, by God, I actually pity those poor sons-of-bitches we are going up against." Source: Patton: A Genius for War Patton: Genius for War, A.In Freedom's Forge: How American Business Produced Victory in World War II by Arthur Herman, just published in May 2012, we learn why and how "the finest equipment" in the world was built in massive quantities for the allied cause.At the start of World War II, the USA was a third rate military power. In 1939 when Hitler invaded Poland Hitler's Luftwaffe had a strength of nearly 8,500 fighters and bombers. The US Army air corps had barely 1/5th that number. Patton's Second Armored brigade had only 325 tanks while the Germans had more than 2,000. There were only 334,000 men in the total US armed forces. The US army ranked 18th largest in the world with about 190,000 men just ahead of Holland and behind Hungary and Romania. Time Magazine said "the US Army looked like a few nice boys with BB guns." There was no Military Industrial Complex, the USA was not a superpower and about 3/4's of the population supported isolationism and the preservation of peace at all cost.From July 1940 to VJ day in August 1945 the United States produced a staggering $183 billion in arms. America's shipyards launched 141 aircraft carriers, eight battleships, 807 cruisers, destroyers and destroyer escorts, 203 submarines and almost 52 million tons of merchant shipping. US factories turned out 88,410 tanks, 257,000 artillery pieces and 640,000 Jeeps. The United States produced 324,750 aircraft averaging 170 per day since 1942. Nearly 10 million American men and women would serve their country in uniform.The United States, by the end of the war, had the best equipped fighting force on the planet. Moreover, through the lend lease program the United States had supplied many of the arms needs of Britain, the Soviet Union and other allied forces.How did this remarkable transformation take place? FDR was wise enough to recognize that the power of American business, more often than not led by those who opposed him politically, needed to be harnessed in order to win the war. Freedom's Forge shows how FDR reached out to Bill Knudsen, a Danish American and the President of General Motors, to spearhead the wartime production effort. Knudsen served as the head of the Office of Production Management and brought an experienced manufacturers' vision to the problem of producing war material.Herman documents many of the American production achievements that led to victory in World War II. In Freedom's Forge we learn about the unsung and nearly forgotten production heroes such as Bill Knudsen, Henry Kaiser and others that put the USA on a path to a rapid build-up of industrial production.It was the free market that enabled America to gear up for war so effectively. Herman writes, "Production, however, remained an entirely voluntary process. The War Production Board could and did order companies not to produce things: new cars, for instance, and refrigerators and other heavy durable goods, It never told anyone what to make. That was left to the imagination of American business. This was how Bill Knudsen had designed things from the start, and it remained the pivot point of the entire wartime system. Everything made for the war effort was made by those who saw some advantage for themselves in doing so, and therefore they brought all their skills and tools and knowledge to bear on the task--both to help the country and to make some money...Nor was it entirely a coincidence that no other wartime economy depended more on free enterprise incentives than America's, and that none produced more of everything in quality and quantity, both in military and civilian goods."American business showed remarkable flexibility during the war. The famous carmaker Henry Ford, who was an ardent isolationist before Pearl Harbor and despised FDR's New Deal, built the massive Willow Run production facility to crank out B-24 aircraft. Henry Kaiser, who had specialized in road construction projects before the war, became a massive ship and aircraft builder. Kaiser led the "Six Companies" that produced thousands of Liberty Ships that ferried men and equipment to the war zones. Kaiser had one Liberty ship built in an astonishing 4 days, fifteen hours and twenty-six minutes. Winston Churchill declared, "The foundation of all our hopes and schemes was the immense shipbuilding program of the United States."Not all US casualties in World War II served in the military; many were from the world of work and business. Morrison Knudsen (another "Six Companies" member) had employees serving alongside US Marines in the defense of Wake Island in December 1941. A Japanese amphibious force was dispatched to capture the island in late 1941. Many of these MK engineers fought, were killed or wounded, and were captured and spent years in Japanese POW camps. Thousands of civilian merchant mariners aboard Liberty ships lost their lives particularly as a result of Nazi U-boats in the North Atlantic. On December 30th, 1942 Boeing's best civilian test pilot, Eddie Allen, was killed with the rest of his crew while test-flying a B-29 which crashed near Boeing field in Seattle. Boeing later sorted out the issues with the B-29 and the "Superfortress" bomber; these planes ignited Japanese cities with incendiary bombs (developed by Kaiser) and delivered the atomic bombs on Hiroshima and Nagasaki.Arthur Herman's fine book is not without a few flaws. Herman writes that Hap Arnold "was the only senior military or civilian leader to oppose dropping the atomic bomb." Yet in Eisenhower's own book Mandate for Change, he recalls a Potsdam conference encounter with Henry Stimson, the head of the War Department, where he "voiced to him my grave misgivings, first on the basis of my belief that Japan was already defeated and that dropping the bomb was completely unnecessary, and secondly because I thought that our country should avoid shocking world opinion by the use of a weapon whose employment was no longer mandatory as a measure to save American lives." (Source: D.D. Eisenhower, Mandate for Change, 312-13).If you enjoyed Freedom's Forge you will also like America Invades America Invades: How We've Invaded or been Militarily Involved with almost Every Country on Earth by Kelly / Laycock and Italy Invades

I liked the Arsenal of Democracy by Baime better. Herman’s criticism of labor, FDR, and the New DealSubtracts from the great story of American ingenuity. Herman’s book is interesting and there is room forBoth books on your shelf. Knudsen is a hero all history people should know so I do recommend this book.In an era where labor needed help from the government and FDR provided help and hope, I wish HermanFocused exclusively on the great accomplishments of labor and manage,ent together.

Freedom's Forge portrays the businessmen and industrialists who organized and managed the production of war materials for the US involvement in WW ll as unsung heros. Without their organizing and production genius, defeating the Axis powers would have been much more difficult if not impossible.The war started with the Axis powers well-armed and with substantials resource production capabilities. However, during the last two years of the war, the US overtook them in a big way and made war equipment faster than all the Axis powers combined. We were also able to supply our Allies with much of what they needed; especially England and Russia.Many history books have characterized these men (such as William Knudsen and Henry Kaiser, among others) as robber barons. They did profit handsomely, but they did earn it and the reader is left with the sense they did what they had to because of a "calling"; they were driven and not just by profit.What made these industrial giants' leadership interesting is that most of them were Republicans who were appointed by Progressive Democrats under the Roosevelt administration; you will have to read the book to see how all this turned out.Freedom's Forge will provide the reader with a different perspective of what was going on behind the scenes of the WW ll effort; it is a good read.Rich

This is about the captains of industry who devised the most incredible production lines for war materiel ever known, as well as superior manufacturing systems. Henry Ford is revealed as a noncooperative magnate when contacted regarding the manufacture of certain parts, sternly isolationist and totally out of touch. It's okay, Packard stepped up and made those parts.The incredible difficulty in cranking out tanks when the plans weren't all that great, nor were the results when the plans were followed, led to substitutions and improvements that ultimately devised the Sherman tank, one of the machines that was crucial in the winning of the war. The plans for the firearms designed by J.M. Browning involved the use of old manufacturing jigs that had been stored for years and were scarcely worth taking out of their crates. Another company stepped forward and took on that project, successfully creating firearms in mass quantities.Manufacturing in Great Britain was severely limited by the availability of raw materials, and by their system of making one machine at a time, customizing it to perfection, and sending it out the door. The American system of mass production, emphasizing accuracy of production parts so that they were interchangeable with ANY of the units instead of just one, was far superior, and ultimately resulted in production numbers that were astounding.I really enjoyed this book, and now see a lot of big industrial projects differently, as those are discussed in the book as well. There were heroes in those days, and not all of them wore uniforms.

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Get Free Ebook I, Lucifer: Finally, the Other Side of the Story, by Glen Duncan

Get Free Ebook I, Lucifer: Finally, the Other Side of the Story, by Glen Duncan

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I, Lucifer: Finally, the Other Side of the Story, by Glen Duncan

I, Lucifer: Finally, the Other Side of the Story, by Glen Duncan


I, Lucifer: Finally, the Other Side of the Story, by Glen Duncan


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I, Lucifer: Finally, the Other Side of the Story, by Glen Duncan

From Publishers Weekly

In Paradise Lost, Milton set out to "justifie the wayes of God to men." In this novel, British author Duncan (Hope; Love Remains) attempts to justify the ways of Satan to the hip. God gives his evil subaltern a month in a human body, with an option to own, thus permanently casting off his pain-racked cosmological being. The grim alternative for Lucifer is to subsist in eternal nothingness. The vacant body belongs to Declan Gunn, a writer on the brink of suicide. Lucifer narrates his romps through escort service dates, cocaine-laced nights and, mostly, the thrills of the wondrous human sensorium. Lucifer options his life story-from his starring role with Adam and Eve to his struggles with an autocratic God-to a film producer and torments Declan's lover, Viola, with the promise of a juicy part in the upcoming movie. But for all his jauntiness, Lucifer must unexpectedly wrestle with Gunn's conscience, including Gunn's memories of Penelope, his alternately loathed and longed-for ex. When Lucifer makes the disastrous decision to see Penelope and forgive her for dumping him, he confronts the goodness of mercy, a battle that leaves him sick with nausea and cognitive disorientation. Lucifer tosses wisecracks around as if they were hand grenades. On the wickedness of a rival of Gunn's, he quips, "There's no murder in him, and only a very predictable dribble of lust. His soul, and billions like it, provide the cosmos with its muzak." Alas, Lucifer's wit doesn't often rise to this sharply satiric level: it's more like a series of outtakes from Bedazzled. This is the archetypal promising novel-the author's talent with words eclipses the substance of his story. Copyright 2003 Reed Business Information, Inc.

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From Booklist

Duncan's last novel, Hope (1998), was about pornography addiction. Since then, he's apparently found God, or rather, the Devil. His latest novel features the Prince of Darkness incarnate in the body of down-and-out writer Declan Gunn (anagram, anyone?), just about to slit his wrists. The apocalypse looms, and God has offered fallen angel Lucifer a second chance at redemption by enticing him with a month of earthly embodiment--an offer he can't refuse, given his taste for cocaine, sexual mischief, and other evil earthly pleasures. In between acts of debauchery, however, Lucifer/Gunn resurrects his literary career and revels childlike in the Earth's simple offerings: tastes, smells, sunsets, London. He muses theological, contemplating free will and the Fall and thinks about--just maybe--getting back on God's good side. Seduced by our diabolical narrator's wicked humor and Duncan's clever conceit, the novel's Christian redemption moral may catch some readers off guard (wasn't this book supposed to be about evil pleasures?), but they likely won't want to put it down. Duncan's witty and perverse, yet somehow life-affirming, Lucifer is powerful indeed. Brendan DriscollCopyright © American Library Association. All rights reserved

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Product details

Paperback: 272 pages

Publisher: Grove Press (April 2, 2003)

Language: English

ASIN: B004KAB59G

Product Dimensions:

8.1 x 6.4 x 0.7 inches

Shipping Weight: 11.2 ounces (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

130 customer reviews

Amazon Best Sellers Rank:

#1,050,684 in Books (See Top 100 in Books)

Thought provoking concept with poor execution. At every possible turn Duncan attempts to impress the reader with his vocabulary, overly dramatic expression of the simple and grandiose intellect. Entire paragraphs and pages are filled with endless metaphors and similes, each attempting to out dramatize it's predecessor. Any sparks of enjoyment that could be achieved by the reader are quickly extinguished by Duncan's inability to just tell the tale without interjecting overindulgent attempts to impress the reader with his intellect. Multiple times I found myself bored and disinterested with the direction and interactions of the story. This is my first Glen Duncan work and although I am willing to investigate another work, I would not recommend this book.

The language. I have to begin with the language of this book, the captivating voice of the narrator, the unique cadence of the prose. I would find it worthwhile for that alone. What further amazed me is the fact that, up until the very last sentence, I didn't know how it would end. You can't put the last several pages down (and the rest of them are pretty difficult to set aside). There's a glimpse of a world that makes a very different sort of sense from the old mythologies we know and love, a world that flows logically from their tales when one accounts for the lens of history, but a world that manages to use those tales to turn what we usually know on its head. This is my favorite type of story, and the author does it impeccably.

i usually read the negative reviews first, a system i find sort of works for more objective considerations, like in the case of tools and mechanical parts.after reading this book i decided to look at the amazon reviews, negative first. WOW! this approach does not work for subjective concerns.smarter people than i have trashed this book on a number of counts, some of which i can relate to, others outside of my scope of experience. i have not read neil gaiman (whose name i have probably misspelled), nor am i familiar with the other works referred to as likely templates or outright scripts for this story.yeah, the anagrammatic matter of lucifer's earthly name immediately struck me as silly, but i got over that pretty quickly.obviously i am no anchorage of literary criticism, but from the standpoint of the "average viewer", i can comfortably say this thing is a fine entertainment.SPOILER in lucifer's voice: "... ice cream is so good tasting, and so bad for you, that i cannot believe i had nothing to do with its invention..."seriously, if you are above it, move along. if you are an irreverent occasional reader like me, you might just find this book fanf***ingtastic.

Book Info: Genre: Literary FictionReading Level: AdultRecommended for: People who like to look at things from a different perspectiveTrigger Warnings: This is a story told from Lucifer's point of view, so he often thinks about things that aren't at all nice, such as possibly raping a woman, or killing people, etc. It's mostly just thoughts, but be aware of them. Attempted suicide.My Thoughts: I'm still trying to make sense of this piece. The book isn't much about anything but the journey, Lucifer's experiences spending time in a mortal form and how he spends that time, his thoughts on various things, and his determination to write a book that will once and for all set things straight and tell the story from his point of view. As such, it tends to be rambling, wandering from topic to topic (often self-consciously so), and somewhat disjointed. It will not be for everyone, that is for sure, but I found I rather enjoyed it. Lucifer has a sort of wry voice that I found appealing (when he wasn't thinking appalling things), and his descriptions of the things around him made me see things in a new light. I mean, just imagine that you've spent all this time immaterial and suddenly you're in the material world, feeling, smelling, hearing, seeing... it would be overwhelming. I think the author did a good job of portraying that idea. The one problem I had with this is that everything is left up in the air. What happens with Lucifer? I know I”d like to know. That wasn't enough to detract from the story, though; it just left me with burning questions that I wanted answered. If this sounds like the sort of thing that would appeal to you, be sure to check this book out.Disclosure: I purchased this e-book for myself. All opinions are my own.Synopsis: The Prince of Darkness has been given one last shot at redemption, provided he can live out a reasonably blameless life on earth. Highly sceptical, naturally, the Old Dealmaker negotiates a trial period—a summer holiday in a human body, with all the delights of the flesh.The body, however, turns out to be that of Declan Gunn, a depressed writer living in Clerkenwell, interrupted in his bath mid-suicide. Ever the opportunist, and with his main scheme bubbling in the background, Luce takes the chance to tap out a few thoughts—to straighten the biblical record, to celebrate his favourite achievements, to let us know just what it's like being him.Neither living nor explaining turns out to be as easy as it looks. Beset by distractions, miscalculations and all the natural shocks that flesh is heir to, the Father of Lies slowly begins to learn what it's like being us.

I really wanted to give this novel the benefit of the doubt (especially since I paid for it), so I struggled reading it until I was halfway through and then I gave up.It's too boring--There's way too much rambling, metaphors, and unnecessary use of rarely seen vocabulary.It wasn't enjoyable having to figure out what he was talking about half the time. At first, the book seemed to hold promise that things would get better, but instead it only worsened.Maybe the author was trying to show that after millennia of pain and suffering, Lucifer has a horrible attention span (although clearly intelligent). I suppose you'd to have to be consistent with a character once you head in that direction, but it just wasn't entertaining for me at all.

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