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Kiln-Formed Glass: Beyond the Basics: Best Studio Practices *Techniques *Projects, by Brenda Griffith
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About the Author
Brenda Griffith began kiln-forming glass in the mid-1980s. In 1987 she launched her own art glass company, Siyeh Studio. She is a two-time NICHE Award finalist in the Fused Glass category. Her work appears in more than 40 galleries in 20 states and Canada. She is a member of the Atlanta Glass Artist's Guild, The International Guild of Glass Artists, and The American Craft Council. Brenda lives in Atlanta, GA.
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Product details
Paperback: 224 pages
Publisher: Lark Crafts (July 1, 2014)
Language: English
ISBN-10: 1454704160
ISBN-13: 978-1454704164
Product Dimensions:
8.5 x 0.6 x 10 inches
Shipping Weight: 1.8 pounds (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
54 customer reviews
Amazon Best Sellers Rank:
#60,686 in Books (See Top 100 in Books)
I've been avidly collecting and reading "fusing" (kilnformed glass) books for about 20 years, and this may be the best single book on studio practice I've seen yet. As it says, it's not a beginner's book (Griffith's earlier book, Beginner's Guide to Kilnformed Glass, does that),. Rather, it's the book you'll want once you have a few successful kilnformed pieces under your belt and have begun to wonder if there's more to kilnforming than sushi dishes and bowls.It's divided into three sections (and Lark should really add some "look inside" samples to Amazon so you can see what I'm talking about). The first covers setting up and using a glass studio. The second deals with more advanced ways to decorate glass for firing (casting, 3D printing, airbrushing, sandblasting, box making, etc.). Spoiler alert: If you're into making jewelry, she's got some advanced tips for creating dichroic slabs and precious metal clay findings that you'll love.The third section, though, is where this book really shines. Griffith has experimented with applying other media techniques to glass practice, and they're pretty exciting. She shows you how to make your own glass pastels and glass clay (which can be fired in the kiln the way you can fire ceramics), create marbling effects with glass enamels, make your own roll-ups, and more.The information is presented in an exploratory, "I wanted to see what would happen if I..." fashion, which gets my own creative juices going. Griffith takes pains to explain exactly how she got to a certain point, which makes it very easy to use her explorations as a starting point for my own. She includes firing schedules for both glass and PMC, with a quite-proper "your mileage may vary" warning.About the only real criticism I'd have is minor: On a couple of projects Griffith takes you through the very well-illustrated steps but doesn't show the finished piece. There's so much else going on here, though, that I don't really miss it.
This is definitely not for someone who just bought their first kiln. It is so nice to find an interesting book that doesn't cater to those who have hardly handled a glass cutter. I have been working in glass quite a while and love to find books that don't give me projects but push me toward techniques I haven't thought about before and give practical advice on things I have tried that maybe did not go as I had planned.The Gallery pages are gorgeous and inspiring. I do wish there was more of a buyer's guide for tools and materials mentioned that are outside of the glass realm. A great book for true glass geeks, you know who you are.
I love this book. A lot of useful information and new ideas to try out. I only have a couple of gripes. A good portion of the book does still cover some basic stuff, like tools and materials, but certainly not as much as a beginners book on the general process such as temperature curves etc. This is a good thing, leave that stuff to other books. The rest of the content I would rank as excellent. I learned some very useful concepts and have some great ideas from reading this. I would highly recommend this book to others who want some more advanced techniques that simple tack fusing and slumping.
Even after 27 years of practicing "warm glass", having learned originally from Boyce Lundstrom at Camp Colton, I am learning a lot from this book. Thank you Brenda Griffith! Hey fellow kiln workers, it never hurts to see what clever, creative things are possible that you haven't thought of yet. This book is wonderful!!!
This book is the best book I have read about working with kiln-formed glass and I have read most of them. I can't remember the last time any book caused me to repeatedly say, "Wow, hey...I need to try that!" I have bookmarks with notes on them all over this book. Brenda did a fantastic job of presenting the ideas and appropriate pictures to show you what she is talking about. Very well done.
the best fusing book I have found! At last someone who i s willing to share more advance techniques!
Good book. I own an number of books on fusing and this was a good addition.
Haven't used any of the ideas yet, that will have to wait until school starts again and I get access to the kilns.This may be a very interesting semester based on the book and not my instructors.
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